Alex Wade in concert
For most of the particpants of the workshop and the audience at the concert this was a first time experience with a concertina workshop and a chance to meet other enthusiasts. As one of them let us know: “I really learned a lot both from the actual workshop and from talking to the other participants. The relaxed and knowledgeable approach by Alex made it a wonderful experience. She was an excellent choice and was able to manage a very mixed group of clearly experienced players and beginners (such as me). It was a real treat. The presence of Harry Geuns and the final concert were the icing on the cake of a wonderful day. I am really hoping there will be more chances in the future to bring Dutch (and Belgian) concertina players together and learn and play together. There are obviously but very few possibilities in the low lands.Thanks to the International Concertina Association for having made this workshop possible.
See clips for an impression of workshops and mini concerts….. Alex is one of the rare tutors who not only plays folk and classical music on concertina but also teaches very well.
Email: Karl Hortt – email@example.com
This three day course is aimed at helping players of the Anglo concertina discover the full musical potential of their instrument. John will be looking at all the various technical aspects of playing, but will mostly be exploring what can be found in the way of chords and harmonies in the left hand to support melodies in the right hand. This is all very physical stuff, and teaching will be in terms of patterns and finger memory, rather than a more abstract intellectual approach. Although a broad grasp of the complexities of music will naturally grow out of the work involved, the ability to read musical notation is by no means essential, and may in fact be a hindrance!
The sessions may not be suitable for complete beginners, and as they are very specific to the instrument they will not be suitable for players of the other kinds of concertina either – the English or the Duet. And please note – the small twenty button Anglo will not be adequate for this course.You’ll need an Anglo concertina with not less than thirty buttons, and ideally a keyboard chart of what all the buttons are. If you haven’t got a chart, John will help you to knock one up, and, thus equipped, whether your interest is in beefing up your tune playing or adding floating parts to accompany your favourite song, Mr Kirkpatrick will be able to bring a lifetime’s experience to bear and help you along the way.
John & Yvonne Hart – firstname.lastname@example.org
Phone: 01743 891412
The Spare Parts Concertina Band is running a part-playing session for concertinas at Broadstairs Folk Week www.broadstairsfolkweek.org.uk this year on Wednesday 15th. August from 10.00 – 11.30. People who aren’t attending the whole festival can still pay on the door.
The music can be downloaded from the band website as dots and midis: www.sparepartsband.co.uk/SPTunes.php. Feel free to try the music even if you aren’t coming to the session.
Alex has played the concertina from a very young age and is an accomplished musician on Concertina, Flute and Saxophone. She has experience as a musician in all styles of music and teaches music professionally.
- Workshops: from 11.00 – 12. 30 and from 13.30 – 15.00 hrs
- Concert: at 16.00 hrs with different music styles and combinations of concertina ensemble playing
Participants for the workshop pay 20 Euros. The concert is free.
For enquiries and more detailed information, mail to: email@example.com
Date:16 June 2012
Place: Underbank Schoolrooms, Sheffield
Rob Harbron will lead a one-day concertina workshop which will help players develop and consolidate their own individual playing styles. Rob plays the English system but the day will be open to players of all systems and much of the day will be spent discussing ideas and technique which are not system-specific. The day will be suitable for players of all abilities, from basic through to intermediate and advanced.
The day is concerned more with individual style and technique than playing together, but music for a few tunes which will be used throughout the day will be sent by email a few days beforehand.
Session 1: 11am – 12:30pm
Doing the basics well – making a good sound by thinking about posture, use of the bellows, tone, attack, dynamics, etc.
LUNCH (BYO or local pubs)
Session 2: 1:30pm – 3pm
Developing your own style – looking at phrasing, groove, swing, ornamentation, variation, etc
Session 3: 3:30pm – 5pm
Putting it all together – shortcuts to harmony and accompaniment, techniques for building arrangements, and ways to perform more confidently.
Full details and booking (using PayPal): www.robertharbron.co.uk
Contributors: Michael Bell, Pauline de Snoo, Roger Gawley, Jeremy Hague, Martin Henshaw, Katie Lloyd-Nunn, Penny Mackreth, Göran Rahm, Beryl Whitehead.
- 1 Editorial
- 2 Library Open Day 28 April
- 3 Interview Japanese Concertinist
- 6 Interview Marcus Kermode
- 9 Hawkwood 2012
- 11 ICA in action
- 12 Supertina
- 16 Concertina Ergonomics
- 23 Traditional Music and Beyond
- 25 Composing for English Concertina
- 34 History from Concertina Newsletters
- 36 Elvina Trinder
- 37 DVD Alistair Anderson Masterclass
- 38 Website items
- 40 New cds
- 41 Reminder subscriptions
Admission £7, tickets from 0121 247 3856 or firstname.lastname@example.org, more info at www.tradartsteam.co.uk/calendar.html?a=viewevent&id=352
Alistair will also lead a traditional music workshop for all instruments during the day. Tickets for the workshop are £20 and must be booked in advance. More info at www.tradartsteam.co.uk/calendar.html?a=viewevent&id=351